Пётр Ильи́ч Чайко́вский
Foundation, Researcher/Counsellor
74in.
Gunfire
a composer from Russia. a kind and quiet man, keeping to himself— though he makes frequent exceptions to help others. he is also one of the only beings capable enough of deterring Mozart’s common pranks through thought alone.
ever since his transformation, he almost always opts for the fancier version of the Foundation uniform. two pairs of wings can be seen trailing out from underneath his cape: one white and one black. his pins are always in the exact same spot, neat and consistent.
the way he wields his pen is more akin to wielding a firearm. ink "bullets" shoot out with violent accented noise.
his high status in the Foundation’s ranks is quite remarkable. he has been around for longer than Mitya has been alive, and has been assisting students at the Academy for most of it. indeed, this high status makes him someone worthy of respect. but as always with the Foundation, nothing is ever exactly as it seems.
a white feather. the result of his “experiment”. at first, it seemed a success. he recorded side effects: a more intense hunger, an fierce urge to not let anyone into his room, severe aches and pains throughout his entire body seizing him. but it had worked. a large pairs of white wings from his back, even allowing for occasional flight, along with a smaller set of black ones underneath and feathery wings replacing what once were his ears. that was, until months later, he took off his uniform and saw that feathers had been crawling on his arms, growing where they should not have, where they did not belong. he seldom wore anything with short sleeves afterwards. but what more could he do?
a small emblem enclosed in a letter of congratulations from Shostakovich after the premiere of Swan Lake, created just for Tchaikovsky. Shostakovich was merely writing the letter after being instructed to do so from the Foundation, the pin was no different. but Tchaikovsky didn’t mind.